Among the sea of creators on TikTok, one female TikToker is grabbing millions of views with her bold claim: “The title of Lingerie Queen belongs to Tran Bao Uyen.” Not only that, she’s ready to jump into heated “combats” whenever the online community attacks her, especially when accused of “fundraising” or “clickbaiting.”
Shocking Declaration
TikToker Bao Uyen rose to fame on social media in just a few months by wearing outfits that closely mimic those of Ngoc Trinh. On her personal page, she introduces herself as: Top 59 Miss Universe 2023, 90s-born Lingerie Queen, standing 1.7m tall, weighing 52kg, with measurements of 88-59-92.
After grabbing attention, she frequently shares clips of herself in bikinis and doing catwalks at home, boldly claiming to be the new generation’s lingerie queen. These clips quickly go viral, racking up millions of views and thousands of comments with sharply divided opinions.
Some praise her confidence and willingness to express her personality, while others accuse her of bragging and overhyping herself just to get views and boost her name as a disguised way to “fundraise.”
Not Shying Away from Antifan Clashes
Instead of staying silent amid criticism, Bao Uyen chooses to confront it head-on. She openly responds to negative comments with a sharp tone, ignoring accusations that she’s “famous for drama.”
Many support her stance:
“She might be a bit flashy, but at least she’s real and bold enough to show it.”
“Claiming to replace Ngoc Trinh is a stretch, but confidence is good. As long as she’s not doing anything wrong, it’s fine.”
On the flip side, many are frustrated:
“Drama for fame is no longer a smart or sustainable strategy.”
“Another online persona living a fake life, selling dreams with filters and shocking statements…”
For those familiar with the entertainment market, the formula is clear: stir controversy, create viral moments, then sell products online. Most netizens see this as a strategy to use controversy to attract attention and then smoothly shift to business activities. However, the line between “building a unique personality” and “going overboard” is very thin, putting her name at risk amid the media storm.
Social media is no longer just a place for entertainment, it’s a stage for self-expression. Those who can create buzz win. People like Bao Uyen actively make waves to avoid being drowned out. She’s a clear example of a modern social media trend: building a personal brand through drama, then turning it into personal goals.
This strategy may bring short-term results but doesn’t guarantee long-term success. The question remains: after all the loud “combats,” can she turn the attention into credibility? Or will she just become another fleeting name in the harsh flow of social media?
